两层挑高的客厅，在夏日树林的掩映下，好似翠绿欲滴的温室。客厅中陈设着男主人的雕塑和女主人设计的家具。具象的雕塑作品传达着非具象的涵义，抽象造型的家具有着极为实用的日常性。 家就是居住着内心世界的外化，这句老生常谈也经历了漫长的岁月和年代的更迭。如今的生活中，我们光从家的外表已经越来越不能简单看到居住着的内心。但在结束了对雕塑家若愚的采访后，可以使人感受到他们的家以及作品所传达出的统一与一致。
The two-story high living room, under the cover of the summer forest, looks like a green greenhouse. The furniture that the sculpture of host and hostess's design are displayed in the sitting room. Figurative sculpture works convey the meaning of non-figurative, abstract furniture has extremely practical constancy. Home is the externalization of living in the inner world, this cliche has also experienced a long time and time change. In today's life, we only from the outside of the home has been more and more simple to see the living heart. But after the interview with the sculptor Ruoyv, one can feel their home and the unity and unity conveyed by the work.