在城市中流浪的我们，有无数种电子身份，却没有籍贯，我们如同一个个孤零的音符，飘荡在城市上空。 在HOMELESS来福士的天空项目中，我们通过建筑的重构，将这些被城市淹没的群体，从所处的真实世界中分离出来，迈向变幻莫测的神奇宇宙。 空间的构筑，来自于虚拟的宇宙灵感，抽象化的光学线条与几何块面的交织，编织出悬于城市上空的太空梦境。 入口处通过一条黑暗的甬道，暗喻人们迈向太空所经历的漫长时间，并在通道的尽头设置一座由水面与灯光交互产生的太空艺术空间，引领人们在进入酒吧的过程中，感受到属于未来与宇宙的梦幻魅力。 本项目以360°LED灯管设置漂浮、扭曲的动态线条，以镜面作为空间轴线，通过三维结构和数学比例，制造起伏的墙面与回环式的结构，这些交错的立墙隔断，与开放式的结构设计，将不同维度的空间与景观缠绕在一起，形成亦真亦幻的视觉体验。 当探查的目光被洞穿，当言语被禁锢，时代反馈于人类的压力来自于无形的思想边界，设计用雕塑的艺术对比自由延伸的光际线条，诠释这种反差感。在这里，一切如这漫无边际的宇宙，所有的情绪尽数消弭在一口呛喉的辛辣中。 哲学家MARSHAL BERMAN(1940-2013)在其所作的关于现代性体验的论著中写道：所谓现代性，就是成为宇宙的一部分，在这个宇宙中，诚如卡尔·马克思所言，一切坚固的物质都幻化为光。 站在一层向上望去，悬置的星球与洞开的宇宙，结合盘旋的阶梯，如来自远古的目光，凝望大地，带来震慑人心的力量。 巨像与微茫，置于同一时空剖析，引人重新审视自我与世界的关系。 我们每个人都是在数据网络中的流浪者，乘着自由，在短暂的宇宙飞行中，与闪烁的霓虹一起出没在世纪的余晖里。
As we wander in the city, we have countless electronic identities but no place of origin. We are like lonely notes floating above the city. In the HOMELESS Raffles Sky project, we use architectural reconstruction to separate these urban submerged groups from their real world and move towards the unpredictable and magical universe. The construction of space is inspired by the virtual universe, with abstract optical lines interwoven with geometric block surfaces, weaving a space dream suspended above the city. The entrance passes through a dark passage, symbolizing the long time people have gone into space. At the end of the passage, a space art space created by the interaction of water surface and lighting is set up, leading people to feel the dreamy charm of the future and the universe during the process of entering the bar. This project uses 360 ° LED light tubes to create floating and twisted dynamic lines, with mirrors as the spatial axis. Through three-dimensional structure and mathematical proportions, undulating walls and circular structures are created. These interlocking vertical wall partitions, combined with open structural design, intertwine different dimensions of space and landscape, forming a true and illusory visual experience. When the gaze of exploration is pierced, when words are imprisoned, and the pressure of the times fed back to humanity comes from intangible intellectual boundaries, the design uses the art of sculpture to contrast the freely extending lines of light, interpreting this sense of contrast. Here, everything is like this boundless universe, and all emotions disappear in the bitterness of choking one's throat. Philosopher MARSHAL BERMAN (1940-2013) wrote in his work on the experience of modernity: 'Modernity is becoming a part of the universe, in which, as Karl Marx said, all solid matter is transformed into light.'. Standing on the first floor and looking up, the suspended planet and the open universe, combined with the spiral staircase, gaze at the earth from ancient times, bringing awe inspiring power. The colossus and the vastness are analyzed in the same time and space, leading to a re examination of the relationship between oneself and the world. Each of us is a wanderer in the data network, riding on freedom, appearing and disappearing in the afterglow of the century with the flickering neon lights during the brief cosmic flight.