这是一场崖上文旅社区实验，在时代浪潮的暗涌中，内心的引力将我们导向时间悬置的群山与上涨的水面，我们试图构造一方与世隔绝的土壤，用簇新的意识形态代替陈旧的建筑肌理，在悬崖上建造一座天空之城，想象世界存在的另外一种形式。 项目位于浙江省丽水市景宁畲族自治县，占地117478.31㎡，其中建筑面积达46526.92㎡。 废弃的采矿景观，与当地的畲族文化，破败的废墟与瑰丽的图腾，带来强烈而鲜明的碰撞，是引领我们到达的线索。我们希望融合悬崖、矿洞、温泉等在地意象，以完整的社区化思想作为脉络，设计一座以共生主义为理念的“城市”，唤醒当地的文旅资源。 “随山散处，巢居崖处”。 范绍质在《瑶氏记略》中，如此描述畲寮的状态。我们提取其中所描述的山居状态，摄取畲寮“介”字形的建筑特点，再依据畲族文化图腾中的几何符号，最后中提炼出“三角现象”的视觉符号，从三角形坡顶的建筑概念，到由三角组成的平面设计，将畲族的原始文化符号根植于现代化的建筑之中。 开放的居住关系 居住的形式破除城市规整有致的排布，模拟在地老矿区在自然环境下，随山而造的建筑特征。建筑零散而交错地存在，通过街区相互串联，引导人们在居住的过程中，不断穿梭于各个体验模块，从而形成良性、可协调的交互形式。 以白色建筑为空间主要的载体，剖出零散的切面映衬明丽的自然。建筑与人、与空气结合为一个完整的整体，几何线条切割出阳光存在的具体形状，于是时间的流逝过程被清晰地反馈于在住者的认知。 引人专注于当下情境的感知，是我们通过建筑集群构筑文旅项目的原生目的。 交织的体验形式 一栋依水而建的建筑，是天空之城社区衍生出的中心场域之一，集书局，艺术展厅，接待中心于一体。 空间的语言与情感，弥散在行走的过程中，如同一席巨大的白布，随步伐的深入逐渐舒展开来，联络起艺术、自然、建筑之间的透明边界。 不止有可生长的植被代表生命，随时间侵蚀而不断改变肌理状态的建筑也同样代表生命。 我们试图诠释一种新的内外互动关系，几乎完全敞开的结构更为立体地交织出，建筑中人工与自然的痕迹，同时引入当地悬崖、矿洞与温泉等元素，深化文旅社区的在地性表达。 向外，代表建筑与自然的关系；向内，则是探讨人与空间的关系。 在结构的处理上，通过规划阳光行经的路径，规划人在其中行走的痕迹，让动态生命呈现于静态框架之中，于是原本无声的场域仿佛有音乐漫过，叮铃而响。 作为天空之城的中心衍体，提供餐厅、茶室、酒吧、射击场等多种商业模式，形成完整的文旅闭环，牵动整个社区的良性运转。 人们可以通过崖间火车与行走的方式，穿梭于不同的功能区域，感受相互渗透存在的建筑单元。 当建筑生长于悬崖之上，人们蜗居的，也不再是一个个牢笼般的盒子，交错的几何构件落于云崖之间，随山而散，如同一个个漂浮的萤火。 唤起一场，越过山丘，远道而来的奔赴之旅。
This is a community experiment on the cliff. Amidst the surging tide of the times, our inner gravity guides us towards the mountains hanging in time and the rising water surface. We attempt to construct an isolated soil, replacing outdated architectural textures with new ideologies, building a city of sky on the cliff, and imagining another form of world existence. The project is located in Jingning She Autonomous County, Lishui City, Zhejiang Province, covering an area of 117478.31 square meters, with a building area of 46526.92 square meters. The abandoned mining landscape, local She culture, dilapidated ruins, and magnificent totems bring a strong and distinct collision, which is the clue that leads us to reach. We hope to integrate local imagery such as cliffs, mining caves, and hot springs, and design a "city" based on the concept of symbiosis with a complete community oriented approach, awakening local cultural and tourism resources. Scattered along the mountains, nestled on cliffs. Fan Shaozhi described the state of She Liao in his "Yao Shi Ji Lue" in this way. We extract the described mountain dwelling state and the architectural characteristics of the She Liao "Jie" shape. Based on the geometric symbols in the She ethnic cultural totem, we finally extract the visual symbols of the "triangle phenomenon". From the architectural concept of the triangular slope top to the graphic design composed of triangles, we root the primitive cultural symbols of the She ethnic group in modern architecture. Open residential relationships The form of residence breaks away from the orderly layout of the city and simulates the architectural features created along the mountains in the natural environment of the old mining area. The buildings exist scattered and interlaced, connected by blocks, guiding people to constantly shuttle through various experience modules during the living process, thus forming a benign and coordinated interaction form. Using white buildings as the main carrier of space, scattered sections are dissected to reflect the bright nature. Architecture, people, and air are integrated into a complete whole, and geometric lines cut out the specific shapes of sunlight, so the passage of time is clearly reflected in the cognition of residents. The perception that attracts people to focus on the current situation is the original purpose of building cultural and tourism projects through architectural clusters. Interwoven experiential forms A building built by water is one of the central fields derived from the Sky City community, integrating a bookstore, art exhibition hall, and reception center. The language and emotions of space diffuse throughout the walking process, like a huge white cloth that gradually unfolds as the pace deepens, connecting the transparent boundaries between art, nature, and architecture. Not only do growing vegetation represent life, but buildings that constantly change their texture over time also represent life. We attempt to interpret a new internal and external interactive relationship, where the almost completely open structure interweaves more three-dimensional, with traces of artificial and natural elements in the building, while introducing elements such as local cliffs, mining caves, and hot springs to deepen the local expression of cultural and tourism communities. Outward represents the relationship between architecture and nature; Internally, it explores the relationship between humans and space. In terms of structural processing, by planning the path through which sunlight passes and the traces of human walking within it, dynamic life is presented in a static framework. As a result, the originally silent field seems to be filled with music, tinkling and ringing. As the central derivative of Sky City, it provides various business models such as restaurants, tea rooms, bars, and shooting ranges, forming a complete cultural and tourism loop that affects the healthy operation of the entire community. People can shuttle through different functional areas through trains and walking between cliffs, feeling the mutual infiltration of building units. When buildings grow on cliffs, people's dwelling is no longer like cage like boxes. The intersecting geometric components fall between the clouds and cliffs, scattering with the mountains like floating fireflies. Wake up a journey that crosses the hills and comes from afar.