现实世界的结构和约束像一幅没有坐标的网格，代表着某种秩序中的不确定性，在纷繁复杂的状态下，文化、社会、技术和经济之间的相互作用，酝酿着打破网格的力量。 在探索Bananain蕉内杭州概念店的设计中，设计师从坐标系中的几何元素获取灵感。垂直是重力最直白的表达，而压弯是对重力的一种诗意的刻画。悬臂强化了这一结构形式，抽象、弯曲的形体是通过探索非常规的形状和材料而创作的，而这形成了因结构张力而产生的戏剧性。 弧面由某种结构支撑在空间中形成悬挑，在有机和机械之间形成新的相互作用。在超越功利主义或物质本性的过程中，有机和机械干扰着它们对边界的构成，大众在穿梭中所体验到的是一种不断扩展、过渡的现象。材料、密度和造型的展开描述了悬挑结构对空间秩序的影响。黑白大理石如同海浪般涌入由铝格栅所代替的网格矩阵中，随机与秩序的冲撞便以体验的形式出现。 当自然材料被破坏、打磨、重建，自然的残存帮助我们感知到有机的存在。在Bananain蕉内杭州概念店的设计中，Some Thoughts以大理石与金属材料进行碰撞的方式激活着“自然”，并使得有机物在结构和解构之间输出“过程的美学”。
The structure and constraints of the real world are like a grid without coordinates, representing the uncertainty in a certain order. Somewhere within a complex state, the interaction between culture, society, technology and economy is impact each other to break up certain state of the grid. In exploring the design for Bananain Concept Store Hangzhou, Some Thoughts draws inspirations from the geometric elements in the coordinate system that we aspire to combine into the spatial design. Vertical is the most straightforward expression of gravity, while bending is a poetic depiction of gravity. As applied in the interior, the cantilevers hanging over the columns have reinforced this structural form, while the abstract and curved forms and units were created by researching unconventional shapes and materials, which generated the dramatic spatial experience by the structural tension embedded in every sectional set. The cambered surface is supported by a certain structure to form a cantilever in the space, introducing a new interaction between the organic elements and machinery. In the process of transcending utilitarianism or material texture, organic elements and mechanical spontaneously interfere with their composition of boundaries, enabling the public to meander around with an experience of continuous expansion and transition. One’s experience gets more immersive through the expansion of materials, density of the space and shapes of each unit, punctuating the influence of cantilever structure for this spatial order. Black and white marble poured into the grid matrix, composed of aluminum grids like waves, and the collision between random and order appeared in the form of one’s experience. When natural materials are destroyed, polished and reconstructed, the remnants of nature help us to perceive the existence of organic elements in the space. In the design of Bananain Concept Store Hangzhou, Some Thoughts redefined "nature" by means of collision between marble and metal materials, making organic elements encompass a sense of "process aesthetics" between structure and deconstruction.