本案位于上海，是一套700多平的独栋私宅项目。我们的设计重点主要集中于地下室空间。原有建筑地下室空间布局比较分散、泰乱，十几个独立的大小空间相互串联。户型上也属干上海比较常见的手枪形，加上本身6米的层高，部分小空间给人一种井道的沉闷，而大空间犹如长长的崖壁。对于地下室，我们以“打散一重组一连接"的设计理念加以改造:在地下室的规划中我们首先第一步考虑的就是打破再组合(空间重组)。手枪户型的设计中常规都是一侧动线一侧功能。而我们的理念却打破这种常规概念，用廊桥将左右两个空间连接起来，将动线由L形改变为H形，空间打散之后优势就体现出来，6米的层高可以实现多个空间的上下组合与穿插，合理的去规划现有的柱子与空间大小的组合。动线居中后，左右上下几个盒子空间相互组合穿插，通过廊桥连接空间，实现室内空间层次叠加与空间穿插。而对于业主气派衣帽间的要求:衣帽间做大做豪华并不难，重点在去除浮夸而加入仪式感。所以我们抛弃它是衣帽间的想法，而是转向晚宴、走秀、画作中的场景。比如身穿华服走下拾级而下的概念场景。虽然上下90平的面积，被我们上下打通浪费一些空间，但却呈现出一种别样的衣帽空间。
This project is located in Shanghai and is a 700-square-meter detached private residence. Our design focus was mainly on the basement space. The original building's basement space was scattered and disorganized, with several independent small and large spaces interconnected. The floor plan was also typical of the Shanghai handgun-shaped layout, combined with the 6-meter ceiling height, some small spaces gave the impression of a dark well, while the large spaces resembled long cliffs. For the basement, we adopted the design concept of "disrupting, rearranging, and connecting" to transform it: In the planning of the basement, the first thing we considered was breaking it down and rearranging (space reorganization). In the design of the handgun-shaped layout, the conventional approach is to have one side for circulation and the other for functions. However, our concept breaks this conventional idea by using a bridge to connect the two spaces on the left and right, transforming the L-shaped circulation into an H-shaped one. After the space is dispersed, the advantages become apparent. With a ceiling height of 6 meters, multiple spaces can be combined and interlaced in a rational way, and the existing columns and space sizes can be combined. After the circulation is centered, the left, right, and upper and lower box spaces are combined and interlaced through the bridge, realizing the stacking and interlacing of indoor spaces. As for the owner's requirement for a grand dressing room: It is not difficult to make a large and luxurious dressing room, but the key is to remove excessive embellishments and add a sense of ceremony. Therefore, we abandoned the idea of it being a dressing room and turned to scenes in dinner parties, fashion shows, and paintings. For example, the concept of descending in a grand procession while wearing elegant clothes. Although the area is 90 square meters, we have connected the upper and lower levels and wasted some space, but it presents a different kind of dressing space.