Holiland 1992 Concept Store
好利来1992概念店
  • 城市 : 成都   City : Chengdu
  • 面积 : 240平方米   Area : 240 sqm
  • 完成日期 : 2021-06-30    Completion Date : 2021-06-30
  • 设计师 : 李京泽   Designer : Jingze Li
  • 摄影 : Shao Feng
  • 官网/公众号 : http://somethoughts.cn   Website/Official Accounts : somethoughts.cn
Holiland 1992 Concept Store  好利来1992概念店
“好利来1992”入驻宽窄巷子,期盼以当代的表达方式向传统致敬,并回顾品牌创始至今几十年来的发展历程。Some Thoughts认为对回顾传统,在理解上需要避开某种风格的驱动,同时寻求一种超越时代背景的形式与材料之间的关系。 通过挖掘商品与材料之间的关系,我们发现糕点作为商品与空间中使用的玻璃砖、瓦在用途和规格上都有着明显差异。但追溯其制造过程,当液态状经过高温冷却后,一个既易碎又有形的固体被制造。在传统迭代至今的共性面前,我们期待它们去赋予空间某种新的秩序并被到访者重新理解和接近。利用玻璃瓦作为滤光器,使之在空间中折射、漫反射,从而引发空间及粗糙表面与光线的相融,在时间的推移中让到访者体验到一种多变的重叠感。 设计师尝试将视觉附着在古建筑的属性上进行重组,通过装置与建筑的相关性在空间中拉开视觉的张力并模糊直白的视觉符号。空间提供了大众对传统与当代之间的全面探索,并代表了某种情感语境,辅助想法向到访者输出了一个可感知的空间。
Set in Kuanzhai Alley, Holiland 1992 Concept Store is conceived to pay tribute to the tradition with contemporary design methods and retrospect the development of the brand in the past decade since its establishment. In finalizing the concept, Some Thoughts believes that by derivate from a certain kind of style-driven design, whereas pursues a relationship between “forms” and “material origins” beyond times that our reflections towards traditions in a historical space could come into being.    By further articulating the relationship between commodities and materials, we discover the fact that bakeries obviously differentiate glass bricks, tiles in terms of its using and specifications in the space. However, tracing back to the manufacturing process of these items, a common feature that a fragile yet tangible solidity has been generated when the liquid is cooled at high temperature. Confronting the universality endowed in the elevation of convention to modernity, Some Thoughts expect to empower the interior with a completely new order and be re-understood and approached by the public. The glass tiles act as the filter to introduce the light, which plays and compliments with the roughness of materials in the entire space. A sense of ever-changing juxtaposition has been presented to the visitors as time goes on through the refract and diffuse of lights in space.  The designer attempts to re-optimize the visual points that often enshrine in historical building by punctuating the interplay between installation and architecture. Hence, the visual impact has been extended and the blunt visual symbols are therefore blurred during one’s journey in the store. Visitors are guided with immersive exploration into tradition and contemporary in the carefully choreographed space, where the interior design represents a certain emotional context, and introduces a perceptible space to the public.