兔皇羊绒创建于1993年，是一家集产品研发、生产、销售、品牌运营为一体的羊绒与真丝制品的企业。弹性工作室应邀设计位于上海五角场商圈的全新形象店。品牌方希望在这个小型空间中去探索动线设计对于商业零售的影响。而设计的主要思路则是围绕着空间感，人流动线以及材料对于陈列的关系进行展开。 如何来设计一个不常规的人流动线，来尽可能的延长客户进店留存的时间，同时增加店铺的陈列面积，则是此次设计的重点。店铺的硬装格局是一个比较规整的方形框架空间，我们首先置入两个体块，规划出仓库和试衣间的位置，利用仓库这个体块包裹住现场唯一的一个柱子来进一步规整空间。同时再置入两堵薄墙将其旋转10°，进一步扩大前场空间，鼓励消费者走入内部，弱化拥堵感，利用这两堵薄墙来创造出不一样的流线。 空间照明上，在保证整体照度的基础上，尽可能的简洁化，整体照明分为两个部分，我们利用天花的结构结合片光，展现天花圆形线条的同时将陈列划分成5个区域，同时结合暗装射灯突出重点陈列。 空间内饰不过分追求装饰性和复杂化，大面积选用了暖黄色的艺术涂料及手工刷制的白色乳胶漆，便是整个空间内部的主要材料。我们希望整个空间立面从构造和材质上尽可能的简单，让展陈成为空间立面唯一的焦点。
Founded in 1993, KANIN KONGE Cashmere is a renowned company specialized in cashmere and silk products development, production, sales and brand operation. TensAtelier, a local avant-garde design studio, was invited to design a new image store in the Wujiaochang shopping district in Shanghai. The client would like to explore the impact of pedestrian traffic flow design on retail within a compact space. The main design is themed on the sense of space, the traffic flow, and the relationship between materials and displays. The key point of the design is to achieve an unconventional traffic flow to maximize customer retention time in the store and to increase the display area. The layout of the store is a relatively regular square frame. We firstly divvied the entire space into two sections, i.e., the warehouse and the fitting room. Then we made full use of the warehouse space to incorporate the only pillar on site, with this endeavor, the space looks more structured. Concurrently, two thin walls were inserted and rotated by 10°, in this way, the front space is expanded whereas the sense of congestion is mitigated so that customers are encouraged to walk inside. Moreover, the two thin walls can also create a different pedestrian traffic flow. With respect to the lighting, we simplified the layout as simple as possible on the premise of ensuring the overall illumination. The entire lighting was divided into two sections. Conjoining ceiling structure with light sheet, the circular lines of the ceiling are showcased and divided the exhibition into 5 sections. We also highlight the key displays with concealed spotlights. The interior is neither overly decorative nor complicated. While warm yellow art paint and the hand scratch paint constitute the principal materials. With the simple and minimalist style in terms of structure and materials, the displays subtly become the sheer focus of the facade.