慢方舍位于温州乐清市下山头村，坐落在有着世界上最多、最长、最高，以滑梯为主题的铁定溜溜乐园中。项目围绕现代农业观光创新，结合美学、文化、在地等元素将现代设计融于乡野意趣中。 一方天地，快慢有度，动静皆然。方知，有舍方有得。 慢·方舍的重点在慢，让人在空间里沉静下来，不以自身意识形态为主导，而是换位思考，材料的使用避免过于精致闪耀，整体古朴敦厚。为生活在这里的人提供居住场景，赋予空间本身的属性和气质。来到这里，你只需放空自己，慢下来生活。 院落建筑外墙和室内多处使用本地石材，地面采用无机磨石，墙面用艺术涂料增添自然肌理，局部使用微水泥创造空间层次，老榆木板和金属铁板为空间增加稳重感。 软装更是追求无为而为的自然。村民自家房改建时扔掉的陶罐，被捡了回来，野外拾取一把枝干，通过一番拾捯，倒成了最好的艺术品。装置和画，是从乡村建设过程的照片集合中，精挑细选出来的动人瞬间场景照，通过油画和老照片的特殊处理工艺，呈现出抽象、朴素的美感。 家具的选择没有特定的风格，符合去风格化的初心。团队淘来许多本地的家具，中古家具，沙发软垫以棉麻质感为主，色彩呈现低饱和度的高级灰。让人在这里轻松的游走，逐光而行。 尽管民宿属商业项目，但设计的宗旨是抱朴守拙，去中心化，去标签化，融入乡村，引野趣入室内。从商业运营角度满足不同房型规划，每间客房大面积落地窗，最大程度引入自然采光，保证室内空间的通透。山野风光融于室内，年岁光景在窗影之间，通过日出与日落余晖，感受四季的更替。 有光的地方就会有故事，而很多故事来自山里、田野、树林，如果你驻足停留，它会找到你，给你温暖和光明。这束光居翠林之间，伴田野清风，来到这里，你只需放空自己，慢下来生活。沐浴在时间光泽下，简洁安静中的质朴的美。
Manfang She is located in Xiashantou Village, Yueqing City, Wenzhou City, in the world's largest, longest, and tallest playground with the theme of slides. The project revolves around the innovation of modern agricultural tourism, and combines modern design with rural interest by combining aesthetics, culture, locality and other elements. One side of the world, the speed is slow, the movement is the same. Fang knows, there is a side and there is a gain. Slow·Fangshe focuses on slowness, allowing people to calm down in the space. It is not dominated by their own ideology, but empathy. The use of materials avoids being too delicate and shining, and the overall is simple and honest. Provide living scenes for people living here, and endow the space with its own attributes and temperament. Coming here, you just need to let go of yourself and slow down your life. The exterior walls and interiors of the courtyard buildings use local stone materials, inorganic grinding stones are used on the ground, and artistic paints are used on the walls to add natural texture. Micro-cement is used locally to create spatial layers. Old elm boards and metal iron boards add a sense of stability to the space. Soft clothing is the pursuit of inaction nature. The clay pots thrown away by the villagers during the renovation of their houses were picked up, and a handful of branches were picked up in the wild. The installations and paintings are selected from the collection of photos of the rural construction process, and the moving and momentary scene photos are carefully selected. Through the special processing technology of oil paintings and old photos, they present an abstract and simple beauty. The choice of furniture does not have a specific style, which is in line with the original intention of de-stylization. The team sourced a lot of local furniture, middle-aged furniture, and the sofa upholstery is mainly made of cotton and linen, and the color is high-grade gray with low saturation. Let people walk around here easily and follow the light. Although the homestay is a commercial project, the purpose of the design is to be simple and humble, to decentralize, to de-label, to integrate into the countryside, and to introduce wildness into the interior. From the perspective of commercial operation, it meets the planning of different room types. Each room has a large area of ​​floor-to-ceiling windows to maximize natural lighting and ensure the transparency of the interior space. The mountain scenery is integrated into the interior, and the scenery of the years is between the windows and shadows. Through the afterglow of sunrise and sunset, you can feel the change of seasons. Where there is light, there will be stories, and many stories come from mountains, fields, and woods. If you stop, it will find you and give you warmth and light. This beam of light lives among the green forests, accompanied by the breeze of the fields. When you come here, you only need to let go of yourself and slow down your life. Bathed in the luster of time, the simple and quiet beauty of simplicity.