无用之用 Use Vs Useless 初识乌山茶邸，先是被这扇半掩的支窗所吸引。老子在《道德经》中写到：“凿户牖（yǒu）以为室，当其无，有室之用。”作为茶空间之眼，这个窗向人们传达着此处的惬意与写心，引君雅鉴。 One may be instantly attracted by this half-closed branch window when first visiting wushang’ Tea House. Laozi once said in his Tao Te Ching: "The door and windows are cut out (from the walls) to form an apartment; but it is on the empty space (within), that its use depends." As an “eye” of the tea space, this branch window serves as a channel to reveal the coziness and comfort inside, alluring people to have a deeper look. 原初而静谧的世界 A World of Primitiveness and Tranquilness “凉台静室，明窗曲几，松风竹月，晏坐行吟，清谭把卷。”此为明朝陆树声在《茶寮记》中所求的理想品茶环境。 "Quietness prevails in the room and balcony. By the bright window, besides an antique table, good friends sit together, chanting and singing cheerfully, with books in their hands; outside, a fair moon hangs above, and the sounding of whistle echoes among the pine trees." These phrases came from The Story of Tea House, written by Lu Shusheng of Ming Dynasty, who depicted an ideal tea tasting scene he longed to pursue. 是故，福州乌山茶邸，既把茶饮本身之质作为首要标准，亦注重营造清灵之气集的品茗氛围，以期为往来茶客，提供一方释怀山水离觞之梦的净土。 Tea House, located in Wushan of Fuzhou, intends to create such environment for all tea lovers. Here, you may enjoy perfect tea tasting atmosphere while sipping our high-quality tea. The teahouse is built aiming to provide a quiet resting area for visitors, to give them a chance to reveal their souls in beautiful landscape. 创造即是汲取，发明即是寻找，塑造即是发现。设计师通过对项目业态、场域、近旁、文化等了解后，将本空间立意为一场归与望。始于传承，展望未来，归去来兮，茶半香初。 To create is to absorb, to invent is to pursue, and to shape is to discover. Through better understanding business type, domain, proximity structures and culture connotations of this project, the designer finally decided to endow this space with a theme — Return & Prospect: by returning to our tea tradition while looking into the future, the fragrance of tea is as the same as it is originally brewed. 整个茶空间师法自然，纯粹提色于武夷山的茶与岩。大量接近茶汤又兼和大地的同一土色，奠定了沉稳宁静的基调，释放出一种苍润、素雅、静谧的空间气质。 The whole tea space takes Nature as the source — painted with the color resembling tea and rock in Mount Wuyi. A large patch of earth tone close to tea as well as the earth is utilized to create a calm and quiet background and to convey a sense of elegance and sobriety. 迎客接友的一层公共接待区域，灵感来自于当代艺术空间，兼具动态体验与静态展览之功能，整体中各自可独立，独立中连贯合一，创造了当代茶空间流动性的新定义。 The public reception area on the first floor, inspired by the contemporary art space, enables people to have dynamic experience as well as static exhibition. The whole contains independent structures while all independent parts are coherent and integrated as a whole, which vividly provides a new defining of “liquidity” for the contemporary tea space. “当你喜欢一些材料并坦诚地去接触它的时候，你会把它用得很好，很温暖亲切。”彼得·卒姆托（Peter Zumthor）曾经说到。木、石、玻璃、粘土等多种材料并置，刚柔相依，古今相融，虚实相连，共同塑造了这一当代茶空间。 "If you love a certain type of material, then embrace it honestly, and you may use it well, with warmth and affability." Peter Zumthor once said. Wood, stone, glass, clay and other materials are juxtaposed together, which creates a scene integrating with rigidity and softness, converging ancient days with modern times, and connecting illusion with reality, thus helping shape this contemporary tea space.
Use Vs Useless One may be instantly attracted by this half-closed branch window when first visiting wushang’ Tea House. Laozi once said in his Tao Te Ching: "The door and windows are cut out (from the walls) to form an apartment; but it is on the empty space (within), that its use depends." As an “eye” of the tea space, this branch window serves as a channel to reveal the coziness and comfort inside, alluring people to have a deeper look. A World of Primitiveness and Tranquilness "Quietness prevails in the room and balcony. By the bright window, besides an antique table, good friends sit together, chanting and singing cheerfully, with books in their hands; outside, a fair moon hangs above, and the sounding of whistle echoes among the pine trees." These phrases came from The Story of Tea House, written by Lu Shusheng of Ming Dynasty, who depicted an ideal tea tasting scene he longed to pursue. Tea House, located in Wushan of Fuzhou, intends to create such environment for all tea lovers. Here, you may enjoy perfect tea tasting atmosphere while sipping our high-quality tea. The teahouse is built aiming to provide a quiet resting area for visitors, to give them a chance to reveal their souls in beautiful landscape. To create is to absorb, to invent is to pursue, and to shape is to discover. Through better understanding business type, domain, proximity structures and culture connotations of this project, the designer finally decided to endow this space with a theme — Return & Prospect: by returning to our tea tradition while looking into the future, the fragrance of tea is as the same as it is originally brewed. The whole tea space takes Nature as the source — painted with the color resembling tea and rock in Mount Wuyi. A large patch of earth tone close to tea as well as the earth is utilized to create a calm and quiet background and to convey a sense of elegance and sobriety. The public reception area on the first floor, inspired by the contemporary art space, enables people to have dynamic experience as well as static exhibition. The whole contains independent structures while all independent parts are coherent and integrated as a whole, which vividly provides a new defining of “liquidity” for the contemporary tea space. "If you love a certain type of material, then embrace it honestly, and you may use it well, with warmth and affability." Peter Zumthor once said. Wood, stone, glass, clay and other materials are juxtaposed together, which creates a scene integrating with rigidity and softness, converging ancient days with modern times, and connecting illusion with reality, thus helping shape this contemporary tea space.