探索事物于不同角度的发散认知,以相对述平化的方式 来阐述其内在诸多的复杂可能性,挖掘更多不同的生活方式探讨和对人性的再思考,让空间更具可考究及情感共鸣的建立... 借助内结构脉络的逻辑梳理，来强化对其‘设计语言’的拆分叙述，以此来建造更多的延伸组合可能性，且反馈到‘木作’本身的体系与其相关的材质过渡及衔接，由此来解说该品牌定位的体系建立，与金属、与岩板、石材及漆面工艺... 以‘再建构’的方式来作为木作品牌的切入及内部探索，组件的拆分及重组，连贯着单件的组合性，以‘分散’来对应整体的切割依据，扩展各分区的组合构件。 诸如体验后的感官变化，同行为于人所延伸的情绪使然，二者的矛盾及碰撞，所制造的思考过程，更贴近体态之中的自然，于空间而畅所己想。 借由‘斜面’交错的阔斧切割方式，来分化行为动线的疏导，使其分区的独立性保留的同时，也可兼具对应缓冲的情绪转换，交错的边界作为动线的环绕分断。 让‘中吧台’作为动线缓冲及交际互动的中心，与相邻功能分区互成交流之势，再对于其‘本身’进行拆分，借助形体的多样变换来处理体块之间的重合关系，来显现物件本身的多样化呈现。 在沟通之初，在与甲方就项目的定位及立案来展开沟通时，如何让现有的产品体系更好的与空间格局融合？是甲方特别重视的点位之一，又想抛开传统定义上的分区套分区，及以背景装饰为转换面的功能产品形式，且加入更好的入店体验度及人与人之间更多的互动交流性。对此，在前端基于分区的展示形式，也罗列了很多的对应空间素材形式来沟通展开...
Explore the divergent cognition of things from different angles, in a relatively flat way To elaborate its many complex possibilities, explore more different ways of life and rethink human nature, so that the space can be more tractable and the establishment of emotional resonance... Use comb structure within the context of the logic, to strengthen the 'design language of the resolution, in order to build more extended combination possibilities, and feedback to the' wooden 'itself system with related material transition and cohesion, which illustrate the brand positioning system, and metal, and the rock, stone material and paint process... The way of "re-construction" is used as the entry and internal exploration of the wood brand. The split and reorganization of components are consistent with the combination of single pieces. The "dispersion" corresponds to the cutting basis of the whole, and the combined components of each partition are expanded. For example, the sensory changes after the experience, and the extended emotions caused by the behavior, the contradiction and collision of the two make the thinking process closer to the nature in the body, and free one's mind in the space. The "inclined plane" staggered broad axe cutting method is used to divide the routing of the moving line, so that the independence of its partition is preserved, and the corresponding buffer emotional conversion can be concurrently concurrently, and the staggered boundary is used as the wrapping and breaking of the moving line. The 'middle bar' serves as the center of moving line buffer and communication interaction, forming a potential for communication with adjacent functional zones. Then the 'itself' is split, and the overlapping relationship between the blocks is processed with the help of diverse transformation of forms, so as to show the diversified presentation of objects themselves. At the beginning of communication, when communicating with Party A about the positioning and filing of the project, how to make the existing product system better integrate with the spatial pattern? It is one of the points that Party A attaches special importance to. It also wants to put aside the traditional definition of zoning and zoning, and use background decoration as the conversion surface of functional products, and add better in-store experience and more interaction between people. In this regard, in the front based on the partition of the display form, also listed a lot of corresponding space material forms to communicate and expand...