在艺术的审美里，尼采以“日神”与“酒神”作为象征，探寻辩证的精神状态——梦与醉、幻觉与自我，正如Blazing Night名字本身所具的矛盾和冲突——日与夜、光明与黑暗，既充满对比，又具有实验性和幻想。因此，ofD从时间的维度，将辩证的精神状态作为空间的隐喻，白夜黑光，现在未来，一座时间的“神庙”，超越限制与束缚，唤醒原始的爱欲。 位于四海城——聚集、孕育了一系列艺术、潮流、新颖的品牌与生活方式，Blazing Night酒吧以“日咖夜酒”的复合模式为基础，阐述与未来的互动。因此，以时间为概念，ofD将复合的商业形态构建为具有沉浸式的情绪体验，光明与黑暗交织融合，塑造欲望与幻想的实验场，吸引新一代的都市人群。 空间分成上/中/下（酒吧/平台/咖啡）三个功能区域，也带来上楼与下楼的运动轨迹，产生时间的流动性。光，是我们对时间的基础感知。以时间的变化为设计的构思：在光色的变幻中，随着白天变成夜晚，咖啡厅变成酒吧，流动的时间成为可视化的呈现，形成不同的视觉效果，展开空间的叙事。 由于当下环境的变化、不稳定因素的增加，在多元文化中重塑共同的感知，是ofD寄予未来商业空间的憧憬。用辩证的视觉语言创造叙事的情境，在风格的交叠中深化品牌的故事——ofD以超越性的象征探讨新世代的精神领域。
Taking Apollo and Dionysus as aesthetic symbols, Nietzsche explored the dialectic spirit state: dreaming and intoxicating, illusion and ego. The space's name - Blazing Night, consisting of contrasting imagery: day and night, brightness and darkness, is also full of contradictions as well as experimental fantasy. Therefore, ofD takes the dialectic spirits as a spatial metaphor from the perspective of time: blazing the day, tipsy in the night, now and the future, turning the space into a temple of time, transcending limits and boundaries, and evoking the original desire. Located in Sihai Cheng, which brings together a series of artistic, fashion, fresh brands and lifestyle elements, Blazing Night is based on a compound model of a cafe by day/a bar by night to illustrate the vision of interacting with the future. Therefore, using time as a design concept, ofD transforms the complex commercial format into an immersive emotional experience. With the interweaving of brightness and darkness, an experiential field of desire and illusion is formed, attracting the new generation. The space is divided into three zones (up, middle, and down) with the distinct functions of a bar, a platform, and a cafe. Meanwhile, it brings a sense of time movement. The light gives us the basic perception of time. Taking the variation of time as a design idea, ofD deploys visual languages to compose a flowing spatial narrative: as day turns to night, the cafe turns into the bar, light and color changing accordingly, and the passage of time is presented visually. Due to the increase of variable and unstable factors in the current, ofD hopes that the commercial space could capture sharing sentiments among the ever more diversified and multi-cultural trend. By creating a narrative context with dialectic visual language, and using multilayered styles to reflect and highlight the brand story, ofD discusses the spirit area of the new generation with the use of transcendent symbolism.