在一个有物质肥胖症的街区中，尝试从过去和潮流的尘埃里捡拾碎片，搭建这处小小的废墟，塑造一段被慢慢遗弃的时间。 In a block of excess resource, we wish to set up a space based on collecting the fragments of the past and to re-define the time of forgotten. 每一种时尚，都是用过即弃的时间，秋来春往，一衣一布也因身体的离去变成时间的碎片。 在这个新造的空间里，今朝风日好（One Fine Day Studio & Partners，简称ofD）用玻璃纤维量身创作了不同的家具，用宣纸代替了天花与土墙，还有建了半层高的楼梯回转……同时ofD也挑捡了Gufram中看不中用的沙发、Thomas & Vines的黑绒镜子，还有Olivier Gregoire像纸一样柔弱的椅子来装点那些触碰不到的时间。 像经过时光摧残的大多废墟一样，进入Maó空间就能一览所有。ofD融入了批发市场常见的“杂乱”状态，以满足作为时尚销售空间日常变化的需求。从一楼到二层挑高空间，使用了统一的灰色调，让整体的朴素感成为多元商品的背景。 在外庭空间，ofD用宣纸创作了天花与装饰画。以传统纸张的质感表达更不同的时间感。ofD也用相同的色系精心调制玻璃钢材料，制作了沉稳的收银台及有图腾意味的吊灯。这些原创元素都以谦逊的姿态，与Gufram的产品和谐相处。 ofD企图让所有的形态都去除尖锐的棱角。墙体的折角、旋转的楼梯、无法使用的弧形镜子、真实与装饰性的柱子……希望以温和的细节体验呼应时间的古典气质。 圆形柱子成为整个空间的视觉线索，贯穿一楼与二层空间。旋转楼梯的黑色线条、灰色调子的阶梯，在厚重空间里与Gufram的黑白沙发形成轻盈的对比。 在有限的建筑框架中，利用局促又无法去除的结构营造新的空间层次。
In a block of excess resource, we wish to set up a space based on collecting the fragments of the past and to re-define the time of forgotten. Just like fads are determined to be outdated as time goes by, all things would come and go as temporal fragments. In this newly established space, One Fine Day Studio & Partners (ofD) has customized all sorts of furniture by using fiber glass, made the ceiling and walls with Xuan paper and built a spiral stairway of half storey height. Not only this, in order to play with the idea of time being intangible, ofD has also picked the visually stunning sofa of Gufram, the black velvet mirror of Thomas & Vines, as well as the seemingly malleable chair of Olivier Gregoire. You get the overview of everything once have entered the space. ofD has taken the "chaotic" atmosphere of the wholesale market into consideration as making this a trading space. Grey is chosen as the tone throughout the loft space, its simplicity has played the appropriate background for the merchandise of great variety. In order to show the vestige of time, ofD has selected Xuan paper for the ceiling and decoration in the lobby, they have also customized the matching coloured fiber glass for the cashier and totemic chandelier. All the original but low keyed elements are well harmonized with the Gufram products. In this area, ofD attempts to take out any sharp angles, including the corner of the walls, the spiral stairway, the impractical curved mirror, the decorative and actual pillars etc., they hope to bring out the sense of classical time through the gentle details. The column has been connecting the space of the two floors as a visual indication. The embedded black linear element on the grey toned spiral stairway has made a fine contrast with the black and white sofa set of Gufram. ofD has discovered another spatial dimension within this originally constrained and unmovable architectural structure.