荣锦装饰位于福建漳州，是一家承接高端设计项目施工的工程公司。 对于这个项目，我们尝试突破单纯的办公化功能边界，建立多维联系。希望人们在场所里谈论的不只是工艺细节，还有空间主理人对行业的敬畏与匠心，坚持“在任何情况下，都应该回归本质，只有不断思考，才能避免自我迷失”。 然而，相较于对工艺展示及接待会所的期待与诉求，建筑毛胚尺度并不理想。它坐落于一栋规矩的写字楼里，一条细长的走廊左右串连着多个单间，形成了由单间组合而成的长方形态。如何摆脱中规中矩的布局，将多维的体验和感知有机整合于受限的窠臼之中，成了设计的重点。 时而幽暗后的光明，压迫性空间突然的高耸，情绪的转变，野性的魅力流露着细腻的匠心，顺着这个思路，我们勾勒出了这个空间的雏形。 立体构成的入口，轴门开启时，进入了一个幽暗的门厅，从压迫的顶转化为高耸光膜，将本来难以解决的穿插梁柱结合，改造成重要的艺术装置。柱上挂着富有年代感的装饰物件，与当代的气息对话、融合，继而再生。设计师希望借此装置作品引喻 “不忘初心的匠心精神”，再结合低调的动态标识，让走进来的观者有着意想不到的情绪变化后带着一丝的好奇心前行。
Rongjin Decoration is located in Zhangzhou, Fujian, and is an engineering company that undertakes high-end design and construction projects. For this project, we attempt to break through the boundaries of pure office functionality and establish multidimensional connections. I hope that people not only discuss the details of craftsmanship in the venue, but also the awe and craftsmanship of the space manager towards the industry, insisting that "in any case, we should return to the essence, and only by constantly thinking can we avoid self loss". However, compared to the expectations and demands for craft exhibitions and reception clubs, the scale of the building's rough embryo is not ideal. It is located in a regular office building, with a slender corridor connecting multiple single rooms to the left and right, forming a rectangular shape composed of single rooms. How to break away from the conventional layout and organically integrate multidimensional experiences and perceptions into limited patterns has become the focus of design. Sometimes the light behind the darkness, the sudden towering oppressive space, the emotional transformation, and the wild charm exude delicate craftsmanship. Following this train of thought, we have outlined the prototype of this space. The three-dimensional entrance, when the axis door opens, enters a dark foyer, transforming from a oppressed roof into a towering light film, combining the originally difficult to solve intersecting beams and columns, and transforming it into an important artistic installation. Decorative objects with a rich sense of the times hang on the columns, communicating and integrating with the contemporary atmosphere, and then regenerating. The designer hopes to use this installation work as a metaphor for the spirit of craftsmanship that never forgets the original intention, combined with a low-key dynamic logo, to allow the incoming audience to move forward with an unexpected emotional change and a hint of curiosity.