在北京、上海、杭州积淀了7家风格各异的专业肖像摄影机构之后，鼎极提出了一个设想来创办她的第8家：一个不以盈利为导向的、仅探讨肖像艺术的空间。这是一次现代影像空间对未来的观察和探讨，借由设计直观地抵达，并得到了积极响应。肖像摄影是服务体系下的肖像顾问+艺术探索+对未来影像的致敬。要知道在充满内卷和疫情的不确定里，鼎极它还在执拗“讨论艺术”——这个看似远离商业却能真正将肖像摄影出品极致化的做法——这是可贵的。 鼎极的艺术输出不是十六世纪文艺复兴时期烛光里的肖像油画，也不是十九世纪相机的慢慢成像，而是在一片银色的、金属质感的未来主义里，不受技术限制的捕捉、储存与在线永久管理。永不褪色、永不丢失。
Dingji put forward a new concept: a space, Huangya Art Space, that explores the art of portraiture without being profit-oriented. In a time filled with competition and uncertainty due to the pandemic, Dingji persists in stubbornly 'discussing art'—a practice that seems detached from commercial interests yet truly elevates the production of portrait photography to its utmost perfection. This is commendable. Within the corridors of the studio’s exhibition hall, a scene of mechanical aesthetics unfolds. It seems as if customers have been frozen and captured by the mechanical shutter in a millisecond and then the photos processed, uploaded and downloaded in real-time. Dingji’s artistic output is not akin to either the oil portraits of the 16th century Renaissance or the slow imaging of cameras in the 19th century. It exists within a futuristic realm of silver and metallic textures, where capturing, storing, and managing photos online is unrestricted by technology, and photos never fade or get lost.