我信仰充满情感的建筑。建筑的目的就是体验情感的经历。 ——路易斯·巴拉干 正如原研哉所言：”个人是无法再分割的最小社会单位，现在通过互联网就能在很多层面上与其他人产生非常紧密的联结，‘家’变成了一个既松散又模糊的概念。所以，有必要在现在这个时代，去对‘家’，以及对‘家’在社会中的存在关系进行重新定义。" 基于社会的时代变迁，人们对于家空间的需求，也已经从相对“外向型”的向他人展示自我的审美与品味，逐渐转向“对内的探索”，强调迎合自我的居住感本身，其次才是显露于外的发声。 对于“向内的居住感”的理解，我们认为首先要考虑的是空间对于情绪的感染力，日本设计师深泽直人在他的工业设计中强调“无意识设计”，意为在无意识之间对使用者的情绪形成某种特定影响。 对于家装空间，我们也是怀着同样的目的，通过空间的使用带动居住者去不断提升生活品质。 除此之外，家庭成员间的互动关系如何通过建筑的语言去表达，也是我们在不断思考的方向。 通过开放式的结构关系去传递人与人，人与空间之间的交流，从而促进对话的发生。 在生活方式变得日益多元的现在，“标准式”的空间已经无法容纳多变的灵魂，于是我们希望重提“量身定制”四个字，不去迎合大众的品味，也不去为客观意义上的“必要存在”费尽心思，转而将注意力投注于居者的喜好与习惯中。 最后，我们希望这是一个“弹性”的空间，当“家”需要承载数年光阴，我们相信无论是生活习惯还是居住关系，都不是一成不变的，于是空间中的“空余”则格外重要，为日后留下可被丰盈的余地。
I believe in architecture that is full of emotions. The purpose of architecture is to experience emotional experiences. ——Luis Balagan As Yuan Yanzai said, "Individuals are the smallest social units that cannot be further divided. Nowadays, through the Internet, they can form very close connections with others on many levels, and 'home' has become a loose and vague concept. So, it is necessary to redefine 'home' and its relationship in society in this era. “ Based on the changing times of society, people's demand for home space has shifted from a relatively "outward oriented" approach to showcasing their aesthetic and taste to an "inward exploration", emphasizing a sense of accommodation that caters to oneself, followed by an outward expression. For the understanding of "inward living feeling", we believe that the first thing to consider is the infectivity of space to emotions. Japanese designer Naoto Morazawa emphasized "unconscious design" in his industrial design, meaning to form a specific impact on the user's emotions unconsciously. For home decoration space, we also aim to continuously improve the quality of life for residents through the use of space. In addition, how the interaction between family members can be expressed through the language of architecture is also a direction that we are constantly thinking about. Communicate communication between people and space through open structural relationships, thereby promoting dialogue. In today's increasingly diverse lifestyle, the "standard" space is no longer able to accommodate the ever-changing soul. Therefore, we hope to revisit the four words "tailor-made", not to cater to the taste of the public, nor to put effort into the objective sense of "necessary existence", but instead to focus on the preferences and habits of the residents. Finally, we hope that this is an "elastic" space. When the "home" needs to carry years of time, we believe that neither lifestyle habits nor residential relationships remain unchanged. Therefore, the "spare space" in the space is particularly important, leaving room for future enrichment.