“不需要过多的设计，我心中的理想之家，一定是容纳了艺术家具、雕塑或装置，与之共处、对话的同时，可以思考生活以及更多的可能性；对艺术品的精神追求，更贴切的说应该是一种探索和解读，可以将自己的喜好、精神思想都在同一空间内淋漓尽致地展现出来，这过程反而让我觉得放松与随性，总让我想到聂鲁达的诗，那句‘我把家做成玩具，从早到晚玩耍其中。’不需要去刻意营造，只要方式和气质对了，一切都变得自然而然。” 作为设计师的私人空间，设计师对空间的要求达到了极致，将原来的五房改为三房，通过户型优化把厨房移到飘窗区域,同时开放了餐厅和厨房，让光线无阻隔，整个空间反而显的更加开阔通透，简洁、舒适在所到之处都能够一以贯之。 U形的墙壁、U形的拐角、U形镜面、U形自制拉手、U形自制踢脚夜灯……用U形几何图形作为设计元素来表现一种纯粹的精神，让整个空间更具连贯性及趣味性。 展示台上收藏的玉石雕塑《未来》来自西班牙国宝级当代艺术家克里斯托弗·戈勃朗（Cristóbal Gabarrón），全球仅有两件。 以大面落地窗引景入室，低台度的家具，让窗外景观尽入眼帘。墙壁和天花板大面积留白，可以让家具更好地融入空间。意大利手工定制木地板以经典鱼骨拼铺设创造出广阔的视野感，更有家自然温馨的感觉。沙发的慵懒，原木边几、天然石材等不同材质家具的搭配，极大地提升空间的质感。沙发来自BAXTER，玻璃茶几来自B&B，木制高低矮几来自CASSINA。上层点缀以雕塑感颇强的吊灯，来自Zaha Hadid为SLAMP设计的Aria系列。 白色U形落地灯柱结合哑面铜板界定出客、餐厅的区域。黑色钢板窗套搭配深色木饰面所打造的率性空间与大白墙形成反差，让整体更加有质感。室内收纳全部选择临墙设计，留有一些空间增加更多的艺术物件。康斯坦丁·布朗库西《无尽之柱》《空间中的鸟》雕塑尤其醒目。餐厅的中古边柜实用又具装饰性，桌上的汉白玉《惠女·晨》雕塑由艺术家王向荣创作。皮制餐椅来自CASSINA。 穿越廊道，书房、儿童房及廊道尽头的主卧，层层递进以体现心无旁骛，静谧自怡的生活形态。墙上的装饰镜来自ZIETA。 书房背后黑色钢板下暗藏了一张电动床，必要时也可作客房使用，使空间利用最大化。桌灯来自FLOS，单椅来自CASSINA。 儿童房选用代表希望和朝气的黄色点缀，对整个灰白色环境进行调剂，角落的Roly Poly大象椅与之呼应。兔子椅来自QEEBOO，吊灯来自LOUIS POULSEN。 主卧狭长的通道连接着寝室、卫生间、衣帽间三个空间。床头桌上水彩画是石上纯也设计的项目《水庭》，从哲学的角度理解为自然中的不自然，不自然中的自然，充分表达了设计对自然的探索。大理石书桌的台灯来自OLUCE。主卫整洁清爽，盥洗区的可伸缩圆镜既不会遮挡窗户，且充满趣味，落地玻璃门可将窗外的阳光收纳，为通道提供足够的光线。 将艺术与抽象融入硬装与软装中，形与意间，透露出脱离繁华之外宁静、休闲的生活方式。 当光透进来的时候，整个纯白的空间显得明亮而整洁。一杯茶，一本书，一次小憩，悠哉悠哉！
“When it comes to the ideal house in my heart, it is not necessarily a complicated design and must contain artistic furniture, sculptures, or installations. It is a friend whom I get along with and talk to, allowing me to ponder on life and more possibilities; and it is my spiritual pursuit of artwork. To put it more appropriately, it is a kind of exploration and interpretation, allowing me to fully reveal my taste and spiritual thoughts in the same space. This process makes me feel relax and be myself and always reminds me of a poem from Pablo Neruda, saying ‘I have also built my house like a toy house and I play in it from morning till night.’ It does not need to be built sedulously. As long as it has the right style and temperament, everything will become natural.” The designer is exacting to the extreme with this private space for a designer. The number of rooms is reduced from the original 5 to 3. The kitchen is moved to the area of bay windows. Moreover, the dining area and kitchen are made open to the space to let the light come in freely, making the whole space more wide and unobstructed. A simple and comfortable sense is also felt throughout. The U-shape geometry figure is applied to walls, corners, mirrors, home-made handles, self-made skirting night lamps… The shape is taken as a design element to express a pure spirit, making the whole space more consistent and interesting. On the show stand is a jade sculpture, an artwork named Future from Cristóbal Gabarrón who is the national contemporary artist in Spain. It is one of the only two works in the world. The large floor-to-ceiling windows introduce outer scenery into space. With low furniture, the outer landscape appears before the eyes without obstruction. The wall and ceiling are made in white in full, making the furniture more consistent with space. A more natural and warm feeling of home is created as the Italian hand-made wooden floor is laid with the classic chevron flooring method to make a broad sense of vision. The texture of the space is greatly enhanced with the sofa, corner tables of the raw log, and furniture of natural stone and other different materials. The BAXTER sofa, B&B glass tea table, and CASSINA low and high wooden tables are present. The upper portion of the space is decorated with Aria series chandeliers showing a strong sense of sculpture, which is designed by Zaha Hadid for SLAMP. The scopes of the living room and dining area are defined by White U-shaped lamp posts combined with the matt copper sheet. The natural space created by the black steel plate window cover with dark wooden finishes contrasts with the white wall, making the whole space more textured. All indoor storage items are designed beside the walls, leaving some space for more artworks. Constantine Blancusi’s works Endless Pillar and Birds in Space are particularly eye-catching. The medieval side cabinet in the dining area is both practical and decorative. On it is the white marble "Honorific Maiden in the Morning", which is a sculpture from the artist Wang Xiangrong. The CASSINA leather dining chairs are present. Along a corridor, the study, the children’s room, and the principal bedroom at the end of the corridor are arranged in a progressive order, reflecting an undistracted, quiet, and pleasant lifestyle. The wall is decorated with the ZIETA decorative mirrors. An electric bed is put hidden under a black steel plate behind the study. With it, the study can also be used as a guest room if necessary, maximizing the use of space. A FLOS Table lamp and a CASSINA single chair are present. The color yellow representing hope and vitality is selected for the children's room, adjusting the gray-white environment. At the corners are the Roly Poly elephant chairs. QEEBOO Rabbit chairs and LOUIS POULSEN chandeliers are present. The narrow corridor of the principal bedroom connects the dorm, toilet, and cloakroom. On the bedside table is a watercolor painting, which features the Water Garden designed by Junya Ishigami. From a philosophical point of view, it is understood as an unnatural sense in nature and a natural sense in an unnatural space, which fully expresses the designer's exploration of nature. The OLUCE lamp on the marble desk is present. The main toilet is neat and refreshing. The extensible round mirror in the washing area does not block the window and is full of fun. The floor-to-ceiling glass door retains the sunlight outside the window, providing enough light for the corridor. The art and abstraction are introduced into the hard and soft decoration, revealing a quiet and leisure way of life beyond prosperity from form and meaning. When the light comes in, the whole pure white space looks bright and tidy. Read a book with a cup of tea, have leisure time, and free yourself from restraint!