墨里山水重抒发，然建筑成为叙事工具将如何纪录自然？此案位于曲水蜿蜒、山峦重重的柳州，我们认为与其以造型模拟地景，不如效仿古人以笔重建心中山水，凸显心中最深刻的磅礴或释怀，当建筑成为手中之笔，我们借光影塑造山高水深、借材质立面重现行入深林的心境转折，将自然写入室内姿态。 我们不模拟具象山水，而是透过人在结构间曲折、攀爬、仰望、俯视的多向观点，甚至地坪反射倒影的虚实轮廓，再现人在山中漫游的姿态经验。造访建筑叙述的山水，经历设计格放的留白与深邃，我们希望此场域如同舒展一卷多视角的水墨风光，综合哲思与诗意、超越对表面地景的认知，纯粹感受状态改变与心境契合。
The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? The project is located in Liuchow, a mountainous area with winding waters. Instead of simulating the landscape with shapes, We think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures. We do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor. By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.