白鹭洲公园位于厦门市中心，是重要的市民休闲场所，环绕公园的筼筜湖原与海相通，现为内湖。项目场地正位于临湖坡地之上，两个单体呈L形布局，共同面对平台上的小叶榄仁及筼筜湖景，四周植被环绕。这样的场地条件带来的是城市尺度的包含景观、建筑、室内的多重空间。 我们从西方哲学获得灵感，在本项目中尝试以“闲暇”来破题。亚里士多德在《政治学》中提到：“游嬉是为了更好的劳作，劳作是为了闲暇。” 这里的语境是，古希腊人以闲暇来度量生活，工作在他们看来，只是非闲暇。并且闲暇与游嬉有层次上的区别，游嬉就相当于逃离工作的休闲娱乐，而闲暇是在说以一种沉静的状态去观照和倾听这个世界。由此看来，“闲暇”的概念是对于“界限”概念的更高理解。这个时候，人本身就是目的，界限不再以消极的形态展现。由此，在本项目中凸显闲暇这个概念，在理论层面上是去积极反思自然、人、商业空间之间的关系，旨在突破一般的逃避庸常、制造审美乌托邦的商业空间的思维桎梏。在设计实践上则去寻找场地潜力、设计者主观心境与品牌内核的结合点，以界限 - 闲暇为出发点，塑造更具丰富内核的，以动态永恒之美吸引大众的商业空间。 以适于闲暇的空间为基调，设计从考察各空间元素之间的相对关系入手。我们分析了场地与周边环境的宏观关系，梳理了场地边界可能产生的不同意义，结合作为注重心灵体验的茶空间的品牌内核，设置了不同层次的区域。 一个是室内外连通的动区，这里离湖最近，景观渐次展开，人能直观感受光线变化。这种人与景观充分互动的感觉，由穿透室内外的吧台、共享长桌与室外长凳围绕小叶榄仁所带来。这是一个既引导人向外，观察外界变化，又吸引人前来，感受内心状态的富有张力的社交空间，人在这种限定感当中自由流动。以动区为核心扩散开来，靠近停车场、层高较为低矮、景观面不多的，我们规划为静区。通过斟酌后厨区的尺寸与定位，这里生成了各个面向的不同尺度的小空间，结合了茶体验，产品与书籍陈列以及阅读长廊。夹层区域适于深度体验工夫茶。它在流线上是独立的，因此我们设置了充分的视觉互动和吸引。这是一种视线意义上的打破界限和流线上的保留界限。
Bailuzhou Park, located in the center of Xiamen, is an important recreational spot for residents. The Yundang Lake surrounding the park was originally connected to the sea and is now an inner lake. The project site is one of the ten auxiliary buildings in Bailuzhou Park. The project is situated on a lakeside slope with two volumes arranged in an L-shape, both facing the terminalia mantaly on the terrace and the lake view. Surrounded by trees and connected to the park's walking paths, the site offers a multi-layered space that includes landscape, architecture, and interior on an urban scale. We drew inspiration from Western philosophy and attempted to address the challenge through the concept of "leisure" in this project. Aristotle wrote in "Politics": "Play is for the sake of work, while work is for the sake of leisure." The context here is that ancient Greeks measured life by leisure; to them, work was simply non-leisure. And there's a distinction between leisure and play; play represents recreational activities to escape from work, while leisure denotes a calm state to observe and listen to the world. From this, one can discern that the concept of "leisure" offers a deeper understanding of the concept of "boundaries." At this juncture, human beings themselves become the goal, and boundaries no longer manifest in a negative form. Thus, in this project, by emphasizing the concept of leisure, theoretically, we aim to actively reflect on the relationship between nature, humans, and commercial spaces, intending to break the general thought confines of commercial spaces that seek to escape the mundane and create an aesthetic utopia. Practically, the design seeks to find the intersection of the site's potential, the designer's subjective emotions, and the brand's core. Starting from the concept of boundary-leisure, we aim to shape a commercial space with a richer core, attracting the public with the beauty of dynamic eternity. With a space conducive to leisure as the key tone, the design began by examining the relative relationships among various spatial elements. We analyzed the macro relationship between the site and its surrounding environment, sorted out the different meanings that might arise from the site boundaries, and combined it with the brand core of the tea space that emphasizes spiritual experience to set up different levels of areas. One is a dynamic area that connects the interior and exterior. This spot is closest to the lake, where the landscape unfolds gradually, allowing people to intuitively sense the changes in light. This feeling of full interaction between people and the landscape is brought about by the bar that penetrates indoors and outdoors, the shared long table, and the outdoor benches surrounding the terminalia mantaly tree. It's a socially vibrant space with tension that both guides people outwards to observe external changes and attracts them inwards to reflect on their inner state. Within this defined ambiance, people move freely. Radiating from this dynamic core, the area closer to the parking lot, with a lower ceiling height and fewer views, is planned as a quiet zone. Through careful consideration of the BOH size and positioning, various smaller spaces of different orientations are created here, integrating tea experiences, product and book displays, and a reading corridor. The mezzanine area is suitable for an in-depth experience of traditional tea brewing. It's isolated in terms of circulation, so we've established abundant visual interactions and attractions. This represents a breaking of boundaries in terms of sightlines, while preserving them in terms of movement.