随着创意产业形态升级与新型合作关系的变化，企业主对于办公场景的灵活性与可读性的需求，正在经历从「大而全」到「小而美」的更迭。而设计师群体作为美学价值的和场景体验的营造者，基于对自身办公生活环境的个性化期待，以及创意性工作的灵活特性，在功能美学意义之上探讨契合自身习惯与模式的复合生活场域。每位设计师的个人场域，都隐藏着自在审美意趣和精神世界的密码，而这种“偶然性”背后，应该是内向的自生长场域，场景随着使用的细微变化，影响着每一位空间体验者的感知方式。设计师通过「尘雲」的丰富内涵，将过往设计思考与精神世界的细微体察，浓缩在温润又兼具先锋的天目里顶层，在百平米的方寸天地中，以创意产品和不同的生活截取方式，为创意型团队提供了另一种解读工作、生活与思维方式的别样解决方案。
With the evolution of the creative industry and the transformation of new collaborative relationships,Business owners' needs for the flexibility and legibility of office environments,Are transitioning from 'large and comprehensive' to 'small and exquisite'.And designers, as creators of aesthetic value and experiential settings,Based on their personal expectations for their own office living environment,And the flexible nature of creative work, explore complex living spaces that match their habits and patterns, beyond functional aesthetics. Each designer's personal domain conceals the codes of their aesthetic preferences and spiritual world,and behind this "serendipity" should be an introspective, self-growing field,the scene, with subtle changes in use, affects the perception of every space experiencer.Designer through the rich connotations of CHEN YUN,condenses past design reflections and nuanced observations of the spiritual world into the warm yet avant-garde top floor of Tianmu,within a hundred square meters of space, with creative products and various ways of life capture,providing creative teams with an alternative solution for interpreting work, life, and ways of thinking.