推门入室，作为第一个功能模块的会客厅跃然眼前。老房子的记忆，便犹如时间的光泽，借由建筑原有绿色的铁门窗得以被留存在这里。“第一眼看到这个绿门我们俩还挺兴奋的，挺有老上海的特色，就把这个门给保留了下来。”出乎祝羽捷的预期，崔树还将它做成了俨然当代装置般的一个作品。这个小设计，让身为艺术策展人的祝羽捷特别欢喜。 作为点缀，以“点与线”形式存在的绿色元素，同时也都是极具功能性的设计亮点所在。除了门框与窗框，空中简洁的绿色灯带，还肩负着可以用作布展、挂画的空中轨道的“隐藏功能”。在这样一个有趣的空间，邀约工作伙伴前来开开会议或是举办小型展览，对祝羽捷来说也是再贴心不过的隐藏配置了。 循着“长方形盒子”的纵深向内探索，设计师用再一个瘦高的“竖盒子”来拉展房间最明亮和高挑的位置，并在这里塑造了一个敞亮的卫生间。一旁定制的方盒子造型绿色不锈钢迷你盥洗台，也是设计师信手拈来的一处妙笔。再由此向前，便到达了作为空间枢纽般的“中央小广场”。 屋顶可以抬头见树的圆形天窗，成为小空间里的又一点睛之笔。还记得二人第一次来看到这个房子的时候，中央小广场的位置还是个光秃秃的破败小院。发现了院外枫杨的崔树就想着“如果在上海这样一个远离大自然的城市里，能在家里看到一棵树的春夏秋冬，该有多浪漫”，便在设计中特别为这棵枫杨树预留好了位置。 而最终落地呈现的圆形窗框连同树木的枝丫，还会在晴日午后的墙面之上投映下斑驳光影，给身处于此的人带来无限遐想的空间。
Pushing the door and entering the room, the reception room as the first functional module comes into view. The memory of the old house is like the luster of time, and it is preserved here through the original green iron doors and windows of the building. "We were quite excited when we saw this green door for the first time. It has the characteristics of old Shanghai, so we kept it." Beyond Zhu Yujie's expectations, Cui Shu also made it into a work that looks like a contemporary installation. This small design makes Zhu Yujie, an art curator, particularly happy. As an embellishment, the green elements in the form of "dots and lines" are also highly functional design highlights. In addition to the door and window frames, the simple green light strips in the air also have the "hidden function" of being an aerial track that can be used for exhibition and hanging paintings. In such an interesting space, inviting work partners to hold meetings or small exhibitions is also a very considerate hidden configuration for Zhu Yujie. Following the depth of the "rectangular box" and exploring inward, the designer used another tall and thin "vertical box" to expand the brightest and tallest position of the room, and created a bright bathroom here. The custom-made square box-shaped green stainless steel mini washbasin on the side is also a wonderful stroke of the designer. From here forward, you will reach the "central small square" as a space hub. The round skylight on the roof, where you can look up and see the tree, has become another finishing touch in the small space. I still remember that when the two of them first came to see this house, the location of the central small square was still a bare and dilapidated courtyard. Cui Shu, who discovered the maple poplar outside the courtyard, thought, "If you can see the spring, summer, autumn and winter of a tree at home in a city like Shanghai that is far away from nature, how romantic it would be", so he reserved a place for this maple poplar tree in the design. The round window frame that finally landed, together with the branches of the tree, will also cast mottled light and shadow on the wall on a sunny afternoon, bringing infinite reverie to people who are here.