退台成为全屋最佳观景处，也是兼容各种功能的“暧昧”空间，设计师将其定位为“无用之用”的空间，显然是在空间本身之外，对退台寄予了安放身心甚至是哲学升华的高度。 退台也拥有全屋最佳观景视野，巨幅玻璃窗让空间场景随一天不同时刻的自然光影丰富变幻，也让疫情下的居家生活变得生动有趣。 以无边湖景和远处的山峦为参照，设计的笔触从室内延伸到室外退台，室内和外部环境融合在一起，形成由身体近处向远方延伸的秩序。 open—planned开放式布局，没有太多的隔墙分割，镇静与诱导之间，空间涉入移动的方式，人们常说，建筑是一门空间的艺术，但建筑也是一门时间的艺术。 “情趣”的思绪，直接及物，若有若无，难以把握，但足以抵御外界的纷扰，自生成趣。
The setback becomes the best view point of the whole house, but also an "ambiguous" space that is compatible with various functions. The designer has positioned it as a space for "useless use", which is obviously a high level of resting body and mind and even philosophical sublimation for the setback outside the space itself. The huge glass windows make the inside scenery change richly with the natural light and shadow at different moments of the day, which also bring the home life under the pandemic more vivid colors. Teking the infinite lake view and the distant mountains as a reference, the design extends from the interior to the outdoor setback, where the interior and exterior environments blend together to form an order that extends from the near to the far side of oneself. The open-planned layout, without too many partitions, is creating a space that is involved in the way of movement. It is often said that architecture is an art of space, but is also an art of time. The thought of "aesthetic interest" is direct, material and difficult to grasp, but it is also enough to resist the disturbance from the outside world and generate its own interest.