美容院与摄影空间，是这个空间中两个最重要的空间功能需求，一个被安排在安静的内部区域，是关于如何实现日常与现实状态下的个体的美；一 个以共享的方式安排在开放的公共区域，是关于如何以摄影的方式表达对于美的理解与认知。对于美的纯粹性，既应该被正确对待，更应该被恰当感知。 在空间的地面处理过程中，地景铺面的碎石被大量运用，用于户外拼接的步汀石延伸成路径或者区域，绿油油的苔藓在绝对距离的观察之下显现出山峦起伏的态势，让更宽广的自然状态下的时空经验得以驻留。 在这其中，以一系列斜向围合的三角体块所构成的空间阵列，作为少有的与顶部相连接的体块，似乎具有某种空间仪式感。它用纪念碑式的形体语言，呈现出高度抽象的表现形式，暗示了某种与特定时空相连的状态。其雕塑性的空间形体，定出重要的空间瞬间关系，定义着空间的重要形态，同时给予空间以全新的概念和能量。 空间的生长性，并非仅仅只是时间维度上的生长，在这里更揭示了一种与自然一同生长、且参与空间自然化的整个过程。正如野口勇所言：“混凝土可以是自然的，星际空间也是自然的。”在这样的语境之下，几何体块的“景”就是真实不虚的风景，在室内人工构建的“园里”也是真实不虚的。
Beauty salon and photography space are the two most important space functional requirements in this space. One is arranged in a quiet inner area, which is about how to realize the beauty of individuals in daily and real conditions; A shared arrangement in an open public area is about how to express the understanding and cognition of beauty through photography. The purity of beauty should not only be treated correctly, but also be perceived properly. In the process of spatial ground treatment, the gravels of the landscape pavement are widely used, and the stepping stones used for outdoor splicing are extended into paths or areas. The green moss shows the undulating trend of mountains under the observation of absolute distance, so that the space-time experience under the broader natural state can stay. Among them, the spatial array composed of a series of obliquely enclosed triangular blocks, as a rare block connected to the top, seems to have a certain sense of spatial ritual. It presents a highly abstract form of expression with a monumental body language, suggesting a state connected with a specific time and space. Its sculptural spatial form defines the important spatial instantaneous relationship, defines the important form of space, and gives space a new concept and energy. The growth of space is not only the growth in the time dimension, but also reveals the whole process of growing with nature and participating in the naturalization of space. As Noguchi said: "concrete can be natural, and interstellar space is also natural." In such a context, the "scenery" of the geometric block is the real scenery, and the "garden" built artificially indoors is also real.