对待工作的严肃态度，高度的正直，形成了自由和秩序之间的平衡。—— 罗曼·罗兰 01 拾横搭竖 “十”是一个简单却又充满轮廓感的文字，一横搭着一竖相织交错，呼应了本案的主要概念——“穿插”。通过放大这个概念，本案强调了造型的横平竖直和材料的多种混搭，塑造结构张力。 该案的委托者是一位富有行业经验的建设集团企业家，由于发展需要，现将办公场地移至更加全面广阔的空间。 年轻，是心态活力的当下；严谨，是心性沉淀的印证。创新大胆的设计则将两者融合为一。 金属台面以超长的形态贯穿起前台左右两侧区域，犹如透过包装而窥探到的架构本质。白色凹凸不平的石皮与银色光滑金属的肌理搭配，碰撞出不一样的质感冲击。 上方的马扎灯将“穿插”的概念复调，以艺术的方式增添空间的活性。大面积的白色石墙砌垒，呼应台基的同时与相对的木板材质形成整体空间调性的平衡。多元的材质运用侧面体现出建筑公司的特性。 位于前台左侧的会议室配置了电动旋转门。非会议时间可以将其关合，充当一面木色墙体，引流人员向右进入办公区域。 商议的时候便可将移门打开，形成矩阵状，增进了空间的建筑感，也在潜移默化中强调了工作的严肃性。 02 明暗调和 人们往往能在光明亮堂的办公环境以精神饱满的状态来完成工作。故而办公人员的位置坐拥良好的采光面，过道被设计在靠墙一侧。 独立办公室外侧的落地油砂玻璃体现出半透感，让微光连接空间，既包含独立的私密，也延展了交互。微水泥的地板与木纹材质墙面中和了庞大空间带来的压迫感。 为了解决原本L户型的较长通道所带来的逼仄感，设计师选择了铺设大面积黑色镜面吊顶，使反射的光线照亮了过道空间，驱散昏暗，打破枯燥。 磁吸的轨道灯和镜面拼接处巧妙结合，添补了空间的结构感，彰显先锋和时尚。 通道一侧的成排白色石墙，传达着建筑公司特有的内张力，保留趣味性的同时也起到引流办公人员进入工作区域的作用，使得动线明晰。 03 交横绸缪 开放办公区域的吊顶采用了编织型的灯光穿插做法，在保留原始吊顶的基础上，增加了半包围金属，搭配上灯具造型，形成一个立体、富有层次的吊顶。 为了遮盖住原本视觉笨重的梁，设计师利用灯光将梁变成附带装饰作用的“照明工具”。镂空的裸顶效果，把梁和灯以及管道都视为网格编织的一部分。吊顶还可以根据人数和桌位，增减或移动灯具，更具实用性。 纵横交错之间，微妙地令人体会到空间与人不断磨合直至和谐相处的紧密关系。 拾横搭竖 是简单的第一个动作 而千万个基础动作组构在一起 便能筑建起一切
A serious attitude towards work and a high degree of integrity form a balance between freedom and order—— Roman Roland 01 Horizontal and vertical installation 'Ten' is a simple yet contoured text, interwoven horizontally and vertically, echoing the main concept of this case - 'interlacing'. By amplifying this concept, this case emphasizes the horizontal and vertical aspects of the design, as well as various combinations of materials, to shape the structural tension. The client of this case is a construction group entrepreneur with rich industry experience. Due to development needs, the office space is now moved to a more comprehensive and spacious space. Youth is the present moment of mental vitality; Righteousness is a testament to the precipitation of one's mind. Innovative and bold designs integrate the two into one. The metal countertop runs through the left and right sides of the front desk in an ultra long shape, like the essence of the architecture peeked through the packaging. The combination of white uneven stone skin and silver smooth metal texture creates a different texture impact. The Maza lamp above reproduces the concept of "interweaving" and adds artistic vitality to the space. A large area of white stone walls are built, echoing the foundation while maintaining a balance of overall spatial harmony with the opposing wooden materials. The use of diverse materials indirectly reflects the characteristics of the construction company. The conference room located on the left side of the front desk is equipped with an electric revolving door. During non meeting hours, it can be closed to serve as a wooden wall, guiding personnel to enter the office area to the right. When discussing, the sliding door can be opened to form a matrix shape, enhancing the architectural sense of the space and subtly emphasizing the seriousness of the work. 02 Harmony of light and dark People are often able to complete their work in a bright and bright office environment with full energy. Therefore, the office staff are located with good lighting, and the hallway is designed on the wall side. The floor to ceiling frosted glass on the outside of the independent office reflects a semi transparent feeling, allowing low light to connect the space, both containing independent privacy and extending interaction. The micro cement floor and wood grain material wall neutralize the oppressive feeling brought by the large space. In order to solve the cramped feeling caused by the longer passage of the original L-shaped apartment, the designer chose to lay a large area of black mirror ceiling, so that the reflected light illuminates the aisle space, dispels darkness, and breaks the monotony. The clever combination of magnetic absorption track lights and mirror stitching adds a sense of spatial structure, showcasing avant-garde and fashion. The rows of white stone walls on one side of the passage convey the unique internal tension of the construction company, retaining interest while also guiding office workers into the work area, making the movement clear. 03 Cross cutting preparation The suspended ceiling of the open office area adopts a woven lighting intersperse method, while retaining the original suspended ceiling, adding a semi enclosed metal, combined with lighting fixtures to form a three-dimensional and layered suspended ceiling. In order to cover up the originally visually bulky beams, the designer used lighting to turn them into "lighting tools" with decorative effects. The hollow bare top effect treats beams, lights, and pipes as part of the grid weaving. The suspended ceiling can also increase or decrease or move lighting fixtures according to the number of people and table space, making it more practical. Between the crisscross, it subtly creates a close relationship between the human body and space, constantly blending in until harmonious coexistence. Pick up horizontal and erect It's a simple first action And thousands of basic action groups are constructed together Can build everything