人类的社会属性决定了群居生活 驳杂的生活关系与工作关系 除了极个别不以物喜、不以己悲之辈 绝大多数都是在撕裂与矛盾中寻找平衡点 来抚慰内心的不安 人类通过身体感知、体验环境 我认同Giambattista Vico身体性想象的观点 人类在身体感知中把握现实，重新构造世界。 本案碰到了合适的业主 旨在探索身体对形体、形式的这一隐喻过程 光通过设定以均匀的形式铺在客厅空间，因为有光才有形体，沙发后悬吊的收纳柜在满足了功能的前提下，以光可穿透的表现形式呈现在那里。 顶面与立面的分割法线，在这个案子里面是一种形式上的克制作用，用于给视觉感知一个文章中符号的意义。 利落的量体有序结合，相互影响形式，不过分强调功能与形式的服从关联，就像文首提到人运行在空间内，把握与重新构造世界。 从方法论的角度来讲，把功能性家具通过特定逻辑在三维空间内分别布置。每个量体都可在他的对立面找到平衡，这样外部世界的属性就在空间内内部转化为相反的属性，南侧的悬吊墙体屏障为北侧的内墙，如此等等，不一而足。
The social nature of human beings determines social life Mixed life relationship and work relationship Except for very few people who do not enjoy things and do not mourn themselves Most of them are trying to find a balance between torn and conflicted To soothe your inner restlessness Humans perceive and experience the environment through their bodies I agree with Giambattista Vico's idea of bodily imagination Human beings grasp reality in the perception of the body and reconstruct the world. The case has found the right owner This paper aims to explore the metaphorical process of body to form and form Light is spread in the living room in a uniform form through the setting, because there is light to have a form, the storage cabinet suspended behind the sofa is presented there in a form that can be penetrated by light under the premise of meeting the function. The dividing normal between the top and the facade, in this case, is a form of restraint, used to give the visual perception of the meaning of the symbols in the text. Neat and orderly combination of quantity and body, mutual influence of form, do not overemphasize the obedience of function and form, just as the first mentioned that people run in space, grasp and reconstruct the world. From the point of view of methodology, the functional furniture is arranged separately in three-dimensional space through specific logic. Each volume can find a balance in its opposite, so that the properties of the external world are transformed into the opposite properties within the space, the suspended wall barrier on the south side is the inner wall on the north side, and so on.