民宿基地为40年的老屋，建于1980年代，位于山脉与景区村落的交界处，建筑的背面紧靠山脉。井宿的旧址为阳朔老县长的住家，儿时的风景与情怀一直埋在主人的心里，于是诞生了今日的井宿。 中国的古建筑经常利用不同院落来形成天井，这栋建筑面宽狭小纵深较长，只有前后采光难以形成体验感与品牌效应，所以我们将老井口的概念延续到建筑本身，天井引光与井字的客房布局，以及业主对于阳朔的情感记忆。 在不改动主体结构的情况下，改造建筑2-6F楼板，以井字为概念，将其解构排列，应用于民宿外观，木条与风化木板竖列排列成序。一楼大厅以城市客厅为概念，搭配旅人蕉绿植，家具选用茶几矮凳，让旅人如归家之感。二到六楼为客房区，空间选用低明度的大地色与白墨色搭配，软装辅以橡木、水磨石、金属等多材质应用，营造出具丰富层次的视觉变化。
The foundation of the building is a 1980’s residential house, which is located at the junction of mountain range and scenic village,the back of the building is close to the mountain.The site was the home to the county head. The scene and nostalgia have always been in the client's heart, which brings about this hotel. Chinese traditional buildings usually feature a central well-like atrium. As the facility is narrow on the front and wide at both sides, it is hard to build up the experience and word of mouth with front and back lighting only. Therefore, we adopt the idea of building a well-like atrium to invite light, arrange rooms around, and help the client relive his childhood memory. Without changing its framework, we rebuilt the slabs and walls from the 2nd to 6th floors. The structure of these floors was rearranged around an atrium based on the well idea. The exterior walls of the building were decorated with vertical wooden planks.The lobby on the first floor is based on the concept of an urban living room, matched with travelers' banana green plants, and the furniture uses coffee table low stools to make travelers feel like home.The second to sixth floor is the guest room area. The space uses low-brightness earth colors and white ink colors, and the soft decoration is supplemented by the application of oak, terrazzo, metal and other materials to create a rich gradation of visual change.