MIYUE VILLA RESORT
蜜悦圣托里尼VILLA洞穴美宿
  • 城市 : 深圳   City : Shenzhen
  • 面积 : 1000㎡
  • 完成日期 : 2020-12-30    Completion Date : 2020-12-30
  • 设计师 : 文志刚   Designer : Josh Wen
  • 摄影 : 欧阳云-隐象建筑摄影   Photographer : Yun Ouyang
  • 官网/公众号 : Fusion Design 蜚声设计   Website/Official Accounts : Fusion Interior Design
MIYUE VILLA RESORT  蜜悦圣托里尼VILLA洞穴美宿
蜜悦VILLA民宿位于中国深圳南澳,根植于当地的自然风光,蜚声设计将侘寂、简约与现代主义相结合,营造一处人与自然的心灵之旅。整个建筑回归简单质朴,打造休闲放松之感。优雅的设计,将视觉与体验的立体层次提升,让人能够更加直观的感受自然,融入自然。 房间的设计中,设计师将玻璃窗大面积的置入室内,创造极佳的视野,形成建筑内外的互动对话。弧形的圆拱设计如同洞穴,同素净的墙壁、简单的装饰一起,展现出一种质朴的粗粝感。设计师从物质的纯粹质感中,获得自然符号的灵感。藤条家具,亚麻织物,当地石头,为赤裸的空间,注入复古与生机,创造出一种悠闲奢华的氛围。 公区的设计更关注的是光影的流动以及人群的交互,用留白的意境去取代多余的装饰。不同于常用的黑白交织意象,设计师将古典的故宫红,与岁月一同揉入建筑当中。时光走廊中的摆件的设计,点醒着不同人的不同回忆,传达者设计师对于人生的思考。
MIYUE VILLA RESORT is located on the best coastline in Nan’ao, Shenzhen, China. Relying on the original state of the local nature, Fusion Design combines wabi-sabi, simplicity and modernity to create MIYUE (Phase II) and wants to create a spiritual journey between man and nature.The construction of the whole building is simple and creates a leisurely atmosphere. The elegant design promotes the dimensional layer of vision and sense which helps people feel and get into the nature directly. In the design of the guest rooms, a large area of glass windows is used to create an excellent view of the scenery and connect the inside and outside of the building at the same time. The arc-shaped round arch design creates a cave-like style, and together with the plain and simple decorations, it shows a primitive and rough feeling.Fusion gets inspirations of natural symbols from the pure texture of materials, and combines plain objects, the outside scenery, sparkling light and shadow, creating a leisurely and comfortable feeling. Rattan straw hats and furniture, linen fabrics with earthly texture, special local stones and absorbing red wooden chairs, give the retro gentleness and natural vitality to the naked space and create a casual and luxurious atmosphere. The design of the public area is more concerned with the flow of light and shadow and the interactive function of the crowd. There is no excessive decoration but to form a conception by leaving a blank.Unlike the common choice of black and white, the designer combines the classic Palace Red with the years and integrates it into the building. The ornaments in the Time Corridor arouse the memories of different people and express the designer’s thinking about life.