NAGNAG Conceptual Vintage Store
NAGNAG那个概念中古集合店
  • 城市 : 重庆   City : CHONGQING
  • 面积 : 124平方米   Area : 124㎡
  • 完成日期 : 2022-06-01    Completion Date : 2022-06-01
  • 设计师 : 谭渊|刘倩|黎沐   Designer : Tan Yuan | Liu Qian | Li Mu
  • 摄影 : 筑技摄影   Photographer : Archtric Image
  • 事务所官方工作室名称 : 重庆三渊空间室内设计有限公司   Official Name : SANYUAN Space Design
  • 官网/公众号 : SANYUAN-DESIGN
NAGNAG Conceptual Vintage Store  NAGNAG那个概念中古集合店
NAGNAG那个,藏进都市绿林的中古美术馆 项目位于重庆李子坝街区依山而建的两座老屋。设计首先通过串联屋顶露台的方式增加了更加高效的垂直交通,顾客无需再经过老屋之间漫长的爬山步道,通过新建的江景楼梯即可自由的往返于两栋建筑之间。 立面改造上,建筑选择了一种消隐策略。保留绝大部分原始立面,仅在入口处加建的7米高镜面体使老屋的一角消失在半山之中。又仿佛一座连接中古时空的镜门,镜中反映出周边四季变化,则表达了一种关于中古的时间隐喻。 室内设计在理念上希望打造一个不仅向小众玩家开放,同时也向大家讲述中古文化的美术馆。通过空间景深的营造给予原本局促的室内开敞丰富的观展体验,以当代的方式讲述中古文化的故事。
NAGNAG, a vintage museum hidden in the urban forest. Located on a mountain in Liziba District, the project consists of three businesses: a cafe, a vintage store and a boutique store. In the initial site selection, there were only a one-story hut by the road on top of the mountain and a two-story old house in the middle. Located on three floor elevations, torn and broken, they were connected only by the outdoor mountain trail. Therefore, a more efficient vertical transportation for the project was created by connecting the roof terraces in the project. Customers can enter the vintage store from the coffee shop without the need to go through a long mountain-hiking trail. Along the way, they can also enjoy the river view from the roof terrace of the vintage store. In addition, an atrium space was created in part of the two-story house, granting the house an indoor travel path that enables the customers to move up and down the mountain indoors. As to the renovation of the facade, the architecture choose a strategy of concealment. Most of the original facade of the old house has been preserved, and a 7-meters-high mirror surface was added at one end of the entrance. It is like a mirror door, connecting different time and space, and reflecting the changes of the four seasons in the surrounding environment, which is also a time metaphor for vintage. The interior design of the store is not to create a place that simply sells second-hand luxury goods, but to be an art gallery that tells everyone about vintage culture. By creating a spatial depth of field to the originally cramped interior, an open and rich viewing experience of an art gallery has been made possible, with the story of vintage delivered in a modern manner.
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