远山逶迤，雾霭漫漫。近水悠悠，光影斑斓。山水相濡，捧一杯清茶，吟游于浩渺之间。这便是湖山吟的由来。 西湖之美，自古难言。深谙此情的苏东坡亦言：西湖天下景，游者无愚贤，深浅随所得，心知口难传。距离西湖直线距离仅400米的湖山吟，要将西湖的元素与复杂的室内功能良好结合并获得别样的体验感。因此在有关西湖的众多优美元素中如何有效感知并提取运用是我们前期一直思考的问题。 西湖胜景引无数文人骚客为之称颂，有关于西湖的作品自古便不胜枚举，而其中更以南宋李嵩创作的《西湖山水图》为佳。《西湖山水图》将湖面留白，以群山环绕，工笔和写意兼用表现出西湖山水的逶迤和旖旎。结合项目的物理空间尺度，我们取西湖山景为题来表述整个空间。 以群山为形构建形体划分功能，以山石为样展示材质表达肌理，以雾霭为意体现氛围传达意境。 公共区域我们以屏风隔断为体，展示山形并分隔区域与动线，不同尺度的隔断配合部分抬高的地面实现徜徉山中的情形。而材质与形体的不同，进一步展示所表现的群山远近以及空间虚实关系的变化。隔断的高低配合组合式的茶桌满足了茶室转化为教学情景时座椅与书桌的功能。 在空间的材质，我们选用石材配合纸张作为空间材质的主要表达，在客房的选材上，我们通过对纸张不同方式的浸染来实现云雾与山石的意境。为了体现茶室的氛围，我们采用小块纸张叠加的工艺铺贴墙面进一步表达空间的意境与元素的融合，屏风纸张与亚克力的融合，将空间的氛围意境与关系进一步延伸
The distant mountains are thick and the fog is long. Near the water, the light and shadow are colorful. Mountains and rivers meet each other, holding a cup of tea, singing in the vastness. This is the origin of Hushan Yin. The beauty of the West Lake is indescribable since ancient times. Su Dongpo, who is well versed in this situation, also said: The west lake is under the sky, the tourists are not foolish, the depth is as they are, and the heart is difficult to pass on. Only 400 meters away from the West Lake, the Lake Mountain Yin should combine the elements of the West Lake with the complex indoor functions and obtain a different sense of experience. Therefore, how to effectively perceive and extract the application of many beautiful elements related to the West Lake is a problem that we have been thinking about in the early stage. The scenic scenery of the West Lake has attracted countless literati and tourists, and there are many works about the West Lake since ancient times, and among them, the "West Lake Landscape Map" created by Li Song of the Southern Song Dynasty is the best. "West Lake Landscape Map" leaves the lake surface blank, surrounded by mountains, and the brushwork and freehand use both to show the beauty and beauty of the West Lake landscape. Combined with the physical spatial scale of the project, we take the West Lake Mountain View as the title to describe the entire space. The shape division function is constructed in the shape of the mountains, the texture is expressed by the material display materials, and the atmosphere is reflected with mist as the meaning to convey the artistic conception. In the public area, we use the screen partition as a body to display the mountain shape and divide the area and the moving line, and the partitions of different scales cooperate with the partially raised ground to achieve the situation in the mountain. The difference between the material and the shape further shows the distance of the mountains and the change of the relationship between space and reality. The high-low combination of the partition and the tea table meet the functions of the chair and desk when the tea room is transformed into a teaching situation. In the material of the space, we choose stone with paper as the main expression of the space material, in the selection of guest rooms, we realize the artistic conception of clouds and mountains and stones through the immersion of different ways of paper. In order to reflect the atmosphere of the tea room, we use the process of stacking small pieces of paper to lay the wall to further express the integration of the artistic conception of the space and the elements, and the integration of the screen paper and acrylic to further extend the atmosphere and relationship of the space