“源于自然的时尚”展览空间设计试图对东方和西方、古典和当代的自然观及园林空间形式演变进行抽象解读和诗意诠释。   展览分为两部分，其中英国V&A博物馆策展的“源于自然的时尚”部分从欧洲的视角，展示了自16世纪以来人类社会“时尚”与自然的复杂、交互关系，表达了对环境保护的关注、反思和展望；由设计互联、中国丝绸博物馆和张西美老师联合策展的“衣从万物”板块则是对于这一主题在东方的遥相呼应。   展览空间设计亦以“自然”为主线，围绕哲学意义上的第三自然“园林”为主题，探讨东西方园林中体现的自然观之异同。整个展区采用轻盈的钢结构和半透明材质，弱化对物理空间的介入及实体的存在感，以“虚空”和“半透明”体现东西方、古典和现当代园林的抽象与诗意，也期待启发观展者从时尚乃至更广阔的视角对于人类和自然关系进行深层思考和反思。 主管合伙人：周实；设计团队：Cristina Moreno Cabello、黄安、黄嘉颖、肇美施、郑鑫、包嘉晓（项目助理）、陈菲菲（项目助理）
The spatial design of the exhibition Fashioned From Nature at the Sea World Culture and Arts Center is an abstract yet poetic interpretation and comparison of the Eastern and Western Views of Nature, as well as the evolution from classical through contemporary garden spaces. The exhibition consists of two sections: "FASHIONED FROM NATURE" curated by the V&A Museum narrates the complex relationship between the fashion of human society and nature since the 16th century, with reflections as well as an emphasis on environmental sensitivity and preservations, while the FASHIONED FROM NATURE IN CHINA: THEN AND NOW Section is an echo to the theme in the east. The spatial design of the exhibition has chosen nature as the subject and “garden” as the theme. We hope to explore the similarities and differences of the natural views embodied in Eastern and Western gardens through the exhibition spatial design. The exhibition uses lightweight steel structure as well as translucent materials to weaken the interposition of physical space and the existence of entity; expressing Eastern and Western, classical and modern garden’s abstract and poetic views through “void” and “translucency”, we intend to inspire visitors to ponder and reflect upon the relationship between human and nature from fashion and a broader perspective. Principal-in-charge: Shi Zhou; Design Team: Cristina Moreno Cabello, An Huang, Jiaying Huang, Meishi Zhao, Xin Zheng, Jiaxiao Bao (Project Assistant), Feifei Chen (Project Assistant)