几何学和物理学的方法所限定的空间与我们在现实中所体验的空间，实际上是两种不同意义上的抽象空间，也预示虚拟模拟现实的可能。通过意象构筑空间局部，再由局部堆叠出像梦境的切片。外立面仿佛俯视角度巨大屋面的局部，由实体的金属波浪板，透明与半透明的天窗组成。夜色降临，金属刺穿半透明的包衣，陷入粘稠的黑色，随后黑色弥漫了整个空间。用顶面限定空间区域，划分不同区域的氛围体验。利用材料和形式组合，构建出如同户外搭建产生不同屋面的交错意象，设计师是想通过共同记忆语言让情绪更丰富。顶面的元素强化其实是低矮坐姿家具的陈列补充。户外元素更多是在家具尺度和细节上的植入，运用户外餐桌椅活动组合和搭建的特点，赋予整个空间户外搭建的场景感。桌子上户外夹灯起到烘托氛围的作用。稻草堆和煤油灯营造出在野外的意象。另一个角度，这是一次低矮坐姿的就餐尝试。往常餐饮空间中的堂食区域，空间被桌椅隐晦划分的界线在这里变得模糊。有关舒适性的理解，其实是选择切换的状态按钮。
Actually, space in real world is different from the one defined by methods of geometry and physics. They are abstract spaces with distinctive meanings, but this heralds the possibility of virtual simulation of reality. In this project, virtual images are used to construct parts of space, and then local parts are stacked to create fancy slices. External facade is made of solid metal wave plates and skylights transparent or translucent, as if looking down on local parts of roof with large angle. As night falls, the metal pierces through the translucent coating and sinks into a dense black, which then fills the whole space. The top surface divides space area, distinguishing between different experience environments. The combination of various materials and forms creates a staggered image of different roofs as if generated by outdoor setting. The designer intended to enrich the mood through common memory language. In fact, the enhancement of the roof elements is a complement of the low-sitting furniture. Outdoor elements reflect mainly on furniture scale and details. The whole space conveys a sense of outdoor activity, attributing to the flexible combination and construction of outdoor dining tables and chairs. On tables, outdoor lamp set the mood to perfection, while straw bale and kerosene lamp create an image of being in the wild. On the other hand, this is a low sitting attempt at eating. In conventional dining space, the dining area is subtly divided by tables and chairs. However, in this project the boundary becomes blurred. As for comfortable capability, it’s actually about to shift button states.