人们通常会将办公室理解为只响应公司功能和运营需求的场所，却忽视了它从感知和自然方面去提升工作效率并改善员工生活质量的作用。在得到企业需要升级办公空间的需求时，我们会更多地去了解企业发展过程中背后更深层次的问题。设计师在入口处以大片人造景观呈现自然空间，正如野口勇（Isamu Noguchi）所说，“混凝土可能是自然的，星际空间是自然的。”在这样的背景下，在内部人工建造的“景观”也是真正的景观。它们静静出现在其中，像是拔地而起的生命，为这里点燃了生气，层次丰富的采光屋面，不仅弱化了强光，还完成了造景。 办公大厅与公共休闲区开放式的融为一体，又似乎有着各自的独立空间。设计师重新定义了办公核心价值，通过简练理性的美学方式，不拘泥于固定的办公室格局，流动自由展现厚重气度的同时倍感细致的人文关怀。以灵动开放的功能布局与健康生活的主旨理念，充分满足不同使用者的创新诉求，有效传达了极富生命力和归属感的企业形象。 半透明的玻璃隔断、开放式的水吧，将管理层与员工、部门与部门之间的距离拉近，鼓励彼此在舒适自然的氛围中研究与讨论，收获信息，激发灵感，亦可在工作之余放松休憩，享受会客厅般的从容惬意。 路易斯·康是建筑设计中光影运用的开拓者，他认为空间应该是一个能让人在精神感受纯粹的地方。中间的会议室本来是一个完全无采光的房间，设计师用建筑的理念，将一座现代东方的建筑植入到整个空间的中央，屋顶的曲面、窗口是整个空间的采光。在这里，空间既是“无限的”，但也是“有限”。不同光引发空间的不同节奏感，室内空间随着光环境的变化而产生丰富的表情。
People usually understand the office as a place that only responds to the company's functional and operational needs, but ignore its role in improving work efficiency and improving the quality of life of employees from the perspective of perception and nature. When we get the demand for upgrading office space, we will learn more about the deeper problems behind the enterprise development process. The designer presents natural space at the entrance with a large man-made landscape. As Isamu Noguchi said, "concrete may be natural, and interstellar space is natural." In this context, the "landscape" artificially built inside is also a real landscape. They quietly appear in it, like a life rising from the ground, which ignites the vitality here. The colorful lighting roof not only weakens the strong light, but also completes the landscaping. The office hall and the public leisure area are integrated in an open way, and each seems to have its own independent space. The designer redefined the core value of the office. Through a concise and rational aesthetic approach, he did not stick to the fixed office pattern, and showed his generous manner freely while feeling meticulous humanistic care. With the flexible and open functional layout and the theme of healthy life, it fully meets the innovation demands of different users, and effectively conveys the corporate image with great vitality and sense of belonging. The translucent glass partition and open water bar bring the distance between the management and the employees, departments and departments closer, encourage each other to study and discuss in a comfortable and natural atmosphere, harvest information, stimulate inspiration, and also relax after work to enjoy the leisurely comfort of the reception hall. Louis Kahn is a pioneer in the use of light and shadow in architectural design. He believes that space should be a place where people can feel pure spiritually. The meeting room in the middle was originally a room without lighting. The designer used the architectural concept to plant a modern oriental building in the center of the whole space. The curved surface of the roof and the windows are the lighting of the whole space. Here, space is both "infinite" and "limited". Different lights cause different rhythms in the space, and the indoor space generates rich expressions with the change of light environment.