本案设计集中采用线到面的延申，视觉效果尽量做大。 在负二楼一个沉降的会客区能增加仪式感的同时也可以更好的把三五好友的距离感拉近，弧线的过度和应用是很巧妙的，把空间从二维到立体进行了一个很有意思的结合，同时在配上氛围灯光的点缀。 整体颜色灰色为主色，黑色白色为辅助色，绿色为点缀色；打破一定的常规，没有采用大面积的白色调，在这些中间融合相辅相成，协调感会孕育而生。 现代主义的时尚，以及捎带摩登化的感觉又不夸张，同时还借鉴了一定的斯卡帕艺术，在这样的组合下达到不拼凑且协调。 空间的处理形式大开大合，在每一下层空间都不大的情况下尽量创造视线无障碍，交互无障碍。
The design of this case focuses on using line to surface extension, and the visual effect should be maximized as much as possible. On the second floor of the basement, a sunken reception area can not only increase the sense of ceremony, but also better bring the distance between friends from three to five closer. The transition and application of the arc are very clever, combining the space from two-dimensional to three-dimensional in a very interesting way, while also embellishing it with ambient lighting. The overall color is gray as the main color, black and white as the auxiliary color, and green as the embellishment color; Breaking a certain routine and not using a large area of white tones, blending and complementing each other in these areas will breed a sense of coordination. The modernist fashion, coupled with a sense of modernity, is not exaggerated, but also draws on a certain amount of Scarpa art to achieve non patchwork and coordination in such a combination. The processing form of the space is open and closed, creating unobstructed views and interactions as much as possible in situations where each lower level space is not large.